marty stuart connie smith age difference

#Marty stuart connie smith age difference how to

Suppose you went looking for a mandolin in '65. There were a lot of people looking for Martins, Gibson banjo's and mandolins. Many had been into it in the 60's or even the 50's when the festival scene was really getting underway. I first became aware of mandolins and bluegrass in the early 70's. I'm about to run out of places for people to sign.' It has Stephen King, President Clinton, Bob Dylan, Billy Bob Thornton, Chuck Berry, Quincy Jones, Natalie Cole, ex-girlfriends, my momma and a lot of people I don't know on there. People just felt compelled to sign the mandolin. After the show, I said, 'What did you do that for?' and he said, 'I didn't want you to forget the Lord.' And I told him I could have remembered the Lord without him wrecking my mandolin. One night I looked over there and he had his pocketknife out and scratched a huge cross on it and put his initials, 'JRC,' on it and then flipped the mandolin over and autographed it and signed, 'Johnny Cash.' My heart fell. He'd take my mandolin on the stage and just play along with June Carter when she was singin'.

#Marty stuart connie smith age difference how to

When I got a job with Johnny Cash, he got on a kick of wanting me to teach him how to play the mandolin. It looked like a brand new instrument for probably 12 or 13 years. For years, I was real proud of the fact that it never had a scratch on it. 'Well, I'd saved my money to buy that mandolin when I got a job with Lester Flatt, and it was $650. I found this in a CMT interview with Stuart online it's the red label maker tape on the back of the peghead, and it's in braille! Now how cool is that! Here they are:Īlso, I found this really interesting.The guitar tech's favorite 'signature' on Marty's F5 is from Doc Watson. I had the opportunity to chat with both Marty Stuart and his guitar technician for a few minutes after Marty's excellent concert in Kent, Ohio last night.ĭuring the conversation, Marty confirmed that his F5 was built by Chris Warner ().Īlso, Marty's tech (and I can kick myself for not remembering the gentleman's name - he was remarkably gracious ) brought Marty's F5 up to the edge of the stage and allowed me to take a few close-up pics.

I guess there is no point in my last comments as anyone who played with Lester and Earle at 6 yrs of age clearly is one talented mofo.

His last moments on stage were a 10 minute solo mandolin piece that convinced me of his skills.

Marty is clearly a confident and kick # picker. Names such as 'Earl,' 'Hank,' and 'Johnny' were fairly visible.ĭoes anyone out there know the story behind this instrument? Is is a Loar? What vintage is it? I couldn't help but notice that Marty Stuart's F5 was covered in signatures that were scratched into the top of his mandolin.īy the looks of these scratches my best guess was that Marty himself was the youthful perpetrator. I had a backstage/poser pit pass for Sunday and was equipped with binoculars. I recently witnessed a fairly astounding performance by Marty and the Fabulous Superlatives (including Cia Cherryholmes on banjo) last Sunday at Rockygrass.